As the title of this album suggests, this is a compilation of the composer's lighter works. The pieces in this collection exhibit all the wit and ebullience of Classical-period divertimenti, but also the craftsmanship and earnestness associated with more serious musical essays. Even in a lighter vein, there is zeal in Kernis's compositional method, in the fastidious notation, the control over rhythm, and in the minutiae of instrumentation. The label minimalist is so often misapplied as a mask for the vapid that it seems wrong to use the term in reference to Kernis's music. But there is an aspect of phase-shifting in Kernis's music that recollects the best exponents of that school -- from the out-of-synch pop refractions in America(n) (Day) Dreams to the aggregating ostinati in Nocturne. Ultimately, Kernis's music rejects stylistic polemics, both the obscurantism of the Ivy Tower and the jejune blather of the New Age. The music is unconcerned with constructed historical exigencies and manifestos. Kernis listens to all he hears, and then writes his own music, full of warmth and humor -- eclectic in influence, but decidedly singular in voice. http://www.imeem.com/groups/8RsdDo6Y,aaron-jay-kernis/ Delta 0 http://blogs.law.harvard.edu/tech/rss New Albion Records New Albion Records http://www.imeem.com/groups/8RsdDo6Y/music/M5hRRQT1/aaron-jay-kernis-salsa-pasada/ Wed, 11 Oct 2006 15:40:59 -0000 <div><a href="http://www.imeem.com/groups/8RsdDo6Y/music/M5hRRQT1/aaron-jay-kernis-salsa-pasada/"><img border="0" src="http://icons-p2.imeem.com/M5hRRQT1.jpg" title="Click to play this song"/></a></div> qp6xmyaJNe