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    <title>City of Prague Orchestra</title>
    <description>Introduction And Liner Notes&lt;br /&gt;&lt;br /&gt;By: Leonard Maltin&lt;br /&gt;&lt;br /&gt;There is an old saw that if you notice the music in a movie, it isn’t any good.&lt;br /&gt;&lt;br /&gt;I don’t think any composer actually believes that, but there is a kernel of truth in the saying. Music that calls attention to itself, and distracts you from involvement in the story and characters, is indeed doing the film a disservice.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;But when you remember music after the film is over, that’s a sure sign that the composer has crafted something special.&lt;br /&gt;&lt;br /&gt;The next question is whether that music “works” apart from the film itself – and if it should. In some cases, revisiting a score after seeing a movie renders the question moot; one has already experienced the emotions of the music in its cinematic context, and one isn’t likely to erase that association.&lt;br /&gt;&lt;br /&gt;Just the same, some scores wear well over time, and provide a rewarding experience long after the movie begins to recede in one’s memory.&lt;br /&gt;&lt;br /&gt;Many people contend that film scores constitute America’s contemporary classical music. Composers who are candid admit that this can never be entirely true, since the music has been inspired – propelled is probably a better word – by specific dramatic needs. Yet in a growing number of orchestral concerts, today’s leading film composers are drawing crowds who would never have thought of attending a philharmonic concert.&lt;br /&gt;&lt;br /&gt;The growing public awareness of leading Hollywood composers is a testament to the impact their music is having on the public at large. And this collection is a tribute to some of the more striking and successful scores of the past decade.&lt;br /&gt;&lt;br /&gt;Lists, of course are highly arbitrary and designed to provoke argument. I don’t pretend for a moment that these are the only great scores of the 1990’s, but they happen to be among my favorites… and I think they bear repeated listening.</description>
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      <pubDate>Mon, 17 Mar 2008 20:46:09 -0000</pubDate>
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