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    <title>Dan Wilson</title>
    <description>Dan Wilson&lt;br /&gt;Dan Wilson is renowned in music circles for the elegance of his melodies, the intelligence of his&lt;br /&gt;lyrics and the purity of his voice. The onetime member of storied cult band Trip Shakespeare and&lt;br /&gt;the critically acclaimed Semisonic is now debuting as a solo artist, working with a collective of&lt;br /&gt;musicians from the Twin Cities and elsewhere. This new phase follows an intense period of&lt;br /&gt;songwriting collaborations—in the past few years Wilson has written songs with the Dixie&lt;br /&gt;Chicks, Mike Doughty, Rachael Yamagata, Jewel, Jason Mraz and others. Wilson’s recent cowriting&lt;br /&gt;work with the Dixie Chicks earned him a “Song of the Year” Grammy® in 2007 for&lt;br /&gt;“Not Ready To Make Nice” from the album Taking the Long Way. He co-wrote six songs on the&lt;br /&gt;album, which won the Dixie Chicks a total of 5 Grammy® Awards, including “Album Of The&lt;br /&gt;Year” and “Country Album Of The Year.”&lt;br /&gt;&lt;br /&gt;Wilson is now ready to unveil his first solo work, Free Life on American Recordings. The&lt;br /&gt;collection of songs began as a self-produced project in Minneapolis, and was finished in Los&lt;br /&gt;Angeles by Wilson and executive producer and label chief Rick Rubin.&lt;br /&gt;Free Life features contributions from Sheryl Crow, who provides the harmony vocal on “Sugar”;&lt;br /&gt;Sean Watkins (Nickel Creek), who plays the finger picked acoustic guitar on “Free Life” and&lt;br /&gt;“Baby Doll;” and Gary Louris (the Jayhawks), who contributes a guitar solos on “Cry” and&lt;br /&gt;“Come Home Angel.” Eric Fawcett (N.E.R.D.) plays drums on many of the tracks, and Benmont&lt;br /&gt;Tench (Heartbreakers), provides piano on “Against History” and several others.&lt;br /&gt;“The best thing about my album, in my opinion, is the incredibly intimate feeling it evokes,”&lt;br /&gt;says Wilson. “These songs sound like they already existed, but at the same time, they project the&lt;br /&gt;feeling that they’re about somebody’s life.”&lt;br /&gt;&lt;br /&gt;While he was writing the songs for what would become Free Life, Wilson was living in a house&lt;br /&gt;built in 1903, and the place served both as a subtle influence on the writing and a perfect setting&lt;br /&gt;for the recording. “I found a few books of sheet music from that era at antique stores and spent&lt;br /&gt;lots of time singing the songs at the piano: chords and melodies the house probably hadn’t heard&lt;br /&gt;for a hundred years,” he says. “‘Sugar’ and ‘Honey Please’ both seem to have that spirit, as&lt;br /&gt;though they were written by the house as much as by me. When the batch became big enough, I&lt;br /&gt;hatched a plan to borrow a recording studio and set it up in the living room and ballroom of the&lt;br /&gt;place.&lt;br /&gt;&lt;br /&gt;“I’d learned a lot about digital recording over the couple of previous years, but I was determined&lt;br /&gt;to use very little of what I’d learned,” Wilson explains. “I had just finished reading the book&lt;br /&gt;Shakey, a biography of Neil Young, and his insistence on live recording, capturing the moment,&lt;br /&gt;starting with the vocal, avoiding overdubs…all these things inspired the hell out of me.”&lt;br /&gt;“For the sessions, I called about 10 musicians whose playing and personalities I love,” Wilson,&lt;br /&gt;recalls. “We ended up playing about 20 songs live, vocals were all cut live with the band, and&lt;br /&gt;most of the songs on the album stayed that way. I had met with the musicians separately over the&lt;br /&gt;weeks before the sessions—taught them the songs, ran through them one-on-one, but never&lt;br /&gt;brought the band together until the first day of recording. This made for a great vibe, because the&lt;br /&gt;songs were very familiar, but the musicians’ ideas were new to each other. And I think that led to&lt;br /&gt;a certain sound of the album—the songs are really about an experience of a bunch of people&lt;br /&gt;together in a room. I think that communicates on a more soulful level.”&lt;br /&gt;After hearing what Wilson had done on his own, Rick Rubin enthusiastically agreed to help him&lt;br /&gt;complete the project, saying of Wilson, “Dan’s music touches my soul. He is/has the perfect&lt;br /&gt;combination of inspiration and songcraft. He is a timeless artist whose music will feel as good in&lt;br /&gt;50 years as it does today.”&lt;br /&gt;&lt;br /&gt;“When Rick and I started working together, eight of the songs were already recorded, and&lt;br /&gt;several of them needed only a little thing here or there,” Wilson recalls. “Some of his&lt;br /&gt;prescriptions were really subtle and helpful. On the other hand, several songs that had puzzled&lt;br /&gt;me—’Cry,’ ‘Free Life,’ ‘Come Home Angel’ and a few others—I either re-recorded with Rick or&lt;br /&gt;completely revamped with his help.”&lt;br /&gt;&lt;br /&gt;When asked about his favorite songs on Free Life, Wilson immediately names “Sugar.” “Writing&lt;br /&gt;‘Sugar’ was everything I love about songwriting—making something profound and emotionally&lt;br /&gt;affecting out of almost nothing,” he explains. “That song was the starting point, the song that&lt;br /&gt;told me I had to let go of all my assumptions and methods from my bands and do something&lt;br /&gt;completely unfamiliar.” Opening with mournful and wide-open chords from Wilson’s piano and&lt;br /&gt;guitarist Bleu’s rolling acoustic, the recorded version of the song slowly rises to a glorious&lt;br /&gt;bridge. The performance defines a loose, intuitively American sound that is somehow not&lt;br /&gt;Americana. It’s a far cry from the tightly structured pop rock that Wilson has been known for in&lt;br /&gt;the past.&lt;br /&gt;&lt;br /&gt;The recording of the song “All Kinds” exemplified the change to an open and unpredictable&lt;br /&gt;recording process. “That track happened so fast, I didn’t know what hit me. One night, after a&lt;br /&gt;long day in the ballroom, I told the remaining three musicians that tomorrow first thing we’d&lt;br /&gt;record ‘All Kinds,’ and I sang them the song. Bleu, who’d played guitar that day, got a wild-eyed&lt;br /&gt;look and announced that we were going to record the song right now. It was late, but we ran back&lt;br /&gt;upstairs and put on our headphones. Ken Chastain, our percussionist, picked up a Fender bass.&lt;br /&gt;We did three takes of the song, everyone ran out to their cars and the day was done. I didn’t&lt;br /&gt;know that anything special had happened until the next morning when I listened back and&lt;br /&gt;discovered we’d nailed the perfect version. And we’d done it with the spontaneous, free methods&lt;br /&gt;I’d read about in Shakey.”&lt;br /&gt;&lt;br /&gt;While Free Life is in some ways a departure from Wilson’s previous work, it also perpetuates&lt;br /&gt;certain of his tendencies—the elevated, chill-inducing melodies, the thoughtful yet&lt;br /&gt;straightforward lyrics, the striving for honesty of expression. “I’ve always loved songwriting that&lt;br /&gt;sounded like truth,” says Wilson, “like first-person confessions, like confidences whispered in&lt;br /&gt;your ear. Even if I’m willing to tinker with reality and my own history, I want the song to feel&lt;br /&gt;true.”&lt;br /&gt;&lt;br /&gt;More than ever before, Wilson has achieved this goal on Free Life, which serves to culminate&lt;br /&gt;one stage of his career and initiate the next, as if he were living out the memorable payoff of his&lt;br /&gt;song “Closing Time” - “Every new beginning comes from some other beginning’s end.” There’s&lt;br /&gt;no doubting the truth of that. www.danwilsonmusic.com</description>
    <link>http://www.imeem.com/danwilson</link>
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      <title>Updates to playlist: Dan Wilson Artist Guest Playlsit</title>
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      <dc:creator>Dan Wilson</dc:creator>
      <category>Dan Wilson Artist Guest Playlsit</category>
      <link>http://www.imeem.com/danwilson/playlist/lwVqn1AT/dan-wilson-artist-guest-playlsit-music-playlist/</link>
      <pubDate>Thu, 15 Nov 2007 20:38:18 -0000</pubDate>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/ME_SZu8r/dan-wilson-talks-and-plays-his-song-free-life-live-only-fo/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:32 -0000</pubDate>
      <title>Dan Wilson talks and plays his song "Free Life" Live only for Imeem</title>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/-n-tc4Fq/dan-wilson-talks-about-perfect-day-by-lou-reed/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson talks about "Perfect Day" by Lou Reed</title>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/ba0N-cd-/dan-wilson-introduces-his-artist-guest-playlist/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson introduces his Artist Guest Playlist</title>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/ENr_n0Ms/dan-wilson-talks-about-stay-free-by-the-clash/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson talks about "Stay Free" by The Clash</title>
      <description>&lt;div&gt;&lt;a href="http://www.imeem.com/danwilson/music/ENr_n0Ms/dan-wilson-talks-about-stay-free-by-the-clash/"&gt;&lt;img border="0" src="http://resources-p2.imeem.com/resources/versioned/2/graphics/icons/no_album_art_100x100.png" title="Click to play this song"/&gt;&lt;/a&gt;&lt;/div&gt;</description>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/fg6-x8oG/dan-wilson-says-bye/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson says bye</title>
      <description>&lt;div&gt;&lt;a href="http://www.imeem.com/danwilson/music/fg6-x8oG/dan-wilson-says-bye/"&gt;&lt;img border="0" src="http://resources-p2.imeem.com/resources/versioned/2/graphics/icons/no_album_art_100x100.png" title="Click to play this song"/&gt;&lt;/a&gt;&lt;/div&gt;</description>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/6ICY54uj/dan-wilson-talks-about-sugar-mountain-by-neil-young/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson talks about "Sugar Mountain" by Neil Young</title>
      <description>&lt;div&gt;&lt;a href="http://www.imeem.com/danwilson/music/6ICY54uj/dan-wilson-talks-about-sugar-mountain-by-neil-young/"&gt;&lt;img border="0" src="http://resources-p2.imeem.com/resources/versioned/2/graphics/icons/no_album_art_100x100.png" title="Click to play this song"/&gt;&lt;/a&gt;&lt;/div&gt;</description>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/bqUPXk2J/dan-wilson-talks-about-no-surrender-bruce-springstein/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson talks about "No Surrender" Bruce Springstein</title>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/6SAPs-TD/dan-wilson-talks-about-get-together-by-the-youngbloods/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson talks about "Get Together" by The Youngbloods</title>
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      <dc:creator>Dan Wilson</dc:creator>
      <link>http://www.imeem.com/danwilson/music/WPlBCgaB/dan-wilson-talks-about-unravel-by-bjork/</link>
      <pubDate>Thu, 15 Nov 2007 20:36:08 -0000</pubDate>
      <title>Dan Wilson talks about "Unravel" by Bjork</title>
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